The
Internet TESL Journal
Using Films to Develop Learner Motivation
Stephen Ryan
mailto:ryamu@twics.com?subject=ITESLJ
Article - Films
Athenee Francais (Tokyo, Japan)
This article is based on observations and experiments conducted
within the Japanese tertiary sector. It takes a very broad look at some of the
theory relating to language learning and motivation. It identifies a problem
relating to motivation in the Japanese education system and goes on to present
possible solutions to the problem. The article then illustrates the possible
solutions with a practical example of how movies may be employed in the
classroom in a manner which both facilitates language learning and further
encourages motivation
Introduction
As a teacher operating within the 'motivational wasteland' (Berwick and Ross
1989:206) of the Japanese tertiary education system I have often felt a kinship
with marathon runners hitting 'the wall'. In my case 'the wall' being a sea of
drooping eyelids drifting towards the displays of none too carefully concealed
mobile telephones. For anyone involved with language teaching there can be few
more professionally demoralizing experiences than a class totally lacking in
motivation; so much valuable time and energy spent on an, often fruitless,
search for stimulating teaching materials. This article is a product of years of
such time and energy; as such it aims to share with other teachers a possible
avenue which may encourage learner motivation.
The Problem
Much has been written about motivation and language learning, and a lot of
what has been written focuses on the distinction between instrumental and
integrative motivation. Motivational factors in Japan are confused by the
country's position on the periphery of the English speaking world and the high,
some might say unrealistic, educational demands of a developed economy at the
core of the international business system. It is this contradictory position
which leads to conflicting aims at the macro level of curriculum planning. As
interesting as this may be, it is not our concern here; we are interested in how
this contradiction leads to a motivation problem at the classroom level, and how
we might tackle this problem. We are interested in the kind of bizarre, yet I
suspect far from infrequent, situation which leads to students barely able to
articulate their home telephone number grappling with complex texts concerning
the morality of genetic engineering. Our interest is curriculum demands which
fail to recognize the reality of communicative competence leading to, at best,
frustration and, more often than not, antipathy.
What Is the Teacher to Do?
Faced with this situation, what is a teacher to do? I would suggest that a
teacher has three options.
- One option is what we might term total surrender; this entails
acknowledging that better people than yourself have been there and failed,
conceding that the level at which change needs to be made is beyond your
reach, and putting your own physical and mental well-being first concluding
that the fight just is not worth it.
- The second option could be termed an honorable retreat; this would involve
a thorough resetting of the teacher's goals, with the aim of the class
shifting from language learning to a kind of mental aerobics session whereby
all parties aim to keep themselves busy and pass the allotted time as
painlessly as possible.
- The third option, and this is the one which we shall pursue in greater
detail, is the Peace Treaty. This 'peace' involves negotiations between
teachers and learners which aim to re-focus the scope of the class, which
attempt to align tasks compatible with the level of the group and the needs of
the curriculum.
A good illustration of our problem can be found in the use of film in the
classroom. Students will often express an interest in using movies as a medium
for language learning, then proceed to sleep through any movie shown. Such a
case presents a nice little cameo of our wider problem; the original intent is
both worthy and genuine, but when limited linguistic competence is faced with a
dense input of L2 material, boredom is often the result. The challenge for the
teacher becomes; how to harness the original good intentions with tasks that are
possible, tasks that set a clear goal and leave learners with a sense of
achievement upon their completion.
Classroom Applications
To illustrate possible classroom applications of our approach it might be
appropriate to present a typical example.
Group Profile
- Learners: College Students (ages 19/20)
- Number: 30
- Motivation: Varied but generally low
- L2 Competence: Beginner/Elementary
- Background Information: Learners reluctant to volunteer opinions or
interrupt, adhering to strict patterns of turn-taking tend to focus on form
rather than meaning; aim for accuracy above communication
- Raw Materials: Movie
In this case the group has expressed an interest in watching movies in
English. The teacher's task is to manipulate this enthusiasm in a way that
develops a positive attitude towards language learning. The challenge is
obvious; if learners can tackle tasks related to a full-length movie then their
confidence and self-esteem will be boosted, on the other hand the teacher is
aware that a full-length movie is way beyond this group of learners, and there
is a danger that showing it may prove counter-productive. In such a case the key
lies in the successful exploitation of raw materials, in the construction of
challenging yet achievable learning tasks.
- Step 1
A movie is chosen which both represents the wishes of the
learners and conforms to institutional constraints such as content, timing and
availability.
- Step 2
The whole movie is shown in its subtitled version. The reasoning
behind this is that to show the whole movie without subtitles is likely to
prove de-motivating; the language content being far too difficult for the
group. Such a showing should also create the welcome by-product of a pleasant
environment conducive to learning. The teacher is also storing 'good will'
credit with the group. Such a showing obviously has few direct pedagogical
merits, but it is hoped that the short term sacrifice will be amply rewarded
in the long run.
- Step 3
The movie is shown without subtitles. Before this viewing the
students are divided into small groups of three and given the task of noting
any short scenes involving three protagonists.
- Step 4
The students then choose one of their noted scenes as the basis
for a role play/ listening activity. The students are given the task of
finding their scene and the opportunity to view the scene as many times as
they wish. The aim of this repeated viewing is for them to script a version of
the scene. At this point it needs to be made clear to students that the aim is
not to produce a verbatim transcript of the scene but something which
approximates to the context and the action on the screen.
- Step 5
Students then make an audio recording of their version of the
scene, each taking the role of one of the protagonists.
- Step 6
The students' version of the scene is then played back with the
video accompaniment minus sound. (If technically possible, the students'
version can be directly dubbed on to the video tape.) By doing this students
will hear their own voices 'in synch' with a movie they have
enjoyed.
Obviously such a project requires a massive investment of time. Does the
return merit such an investment? At a basic level the students should enjoy such
an activity making them more positively disposed towards language learning, if
not immediately then perhaps at some time in the future. Anything which helps to
remove negative attitudes to language learning should not be undervalued. The
activity gives learners a clear goal, and a goal that is achievable; there are
no right or wrong answers, as long as the script fits the scene. Learners are
encouraged to use the linguistic tools they have available to solve an immediate
problem. The activity also practices both extensive and intensive listening
skills, in addition it allows student to use the non-verbal clues which make
video such a rich medium for language learning.
Summary
We started by painting a very bleak picture of the monolingual
teaching environment, perhaps the case was overstated a little. Nevertheless
there can exist a clear motivation problem. The signals can be confusing for
learners; constant news of internationalization and the global economy point to
English language skills being essential, yet daily social interaction, often
backed by strong historical and cultural factors indicate otherwise. This is a
contradiction which can run throughout the system, from the highest planning
levels through to the classroom . Our challenge as teachers is to somehow bridge
that contradiction by developing materials and tasks which take into account
both the high expectations and the low motivation. Our challenge is to foster
and develop motivation by providing clear goals and achievable tasks using raw
materials which might otherwise be beyond the linguistic capacity of our
learners.
References
- Berwick R. and Ross S (1989) "Motivation after Matriculation: Are Japanese
learners of English still alive after exam hell?" JALT Journal 11, 193-210
- Brumfit C. J. (ed) (1990) Video Applications in English Language Teaching
Pergamon Press/Bristish Council
- Casaneve C. P. and Simons J. D. (eds) (1995) Pedagogical Perspectives on
Using Films in Foreign Langusge Classes Keio University SFC: Tokyo
- Gardner R. C. and Lambert W. E. (1972) Atttitudes and Motivation in Second
Language Learning Newbury House:Rowley, Mass
- Kachru B. B. (1982) The Other Tongue Pergamon Press:Oxford
The Internet TESL Journal, Vol. IV, No. 11, November 1998
http://www.aitech.ac.jp/~iteslj/
http://www.aitech.ac.jp/~iteslj/Articles/Ryan-Films.html